The general theme of the scholarly research presented in this book is framed
by the objectives of our series dedicated to University Theatre, which studies
the wide range of theatre pedagogy, creation, research, and the management
of performance activities, processes, and meetings. It addresses theatre activities,
both student and professional, developed under the umbrella of the
university system. The creative research processes that take place in classrooms,
in student groups, or in professional companies sponsored by these institutions
are guided by university principles and by the knowledge of theatre
practice and study.
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Table of Contents / Table des matières / Tabla de contenidos
Part I / Partie I / Parte I
Programs Responding to Change / Comment les
programmes réagissent face aux changements /
Programas respondiendo al cambio
Luigi Rasi et l’École Royale de Déclamation de Florence
(1882-1918). Relations inédites entre théâtre, culture et
institutions académiques
by Leonardo Mancini
Mise-en-scène technique in Moscow Open Student
Theatre’s productions
by Anatoly Safronikhin
Le Théâtre Universitaire Liégeois de 1941 à 1983. Les
premiers jalons de son institutionnalisation
by Alain Chevalier
El teatro en las políticas de cultura. Mirada desde la
universidad mexicana
by Elka Fediuk
Part II / Partie II / Parte II
Creative Research in Relation to Theory and
Teaching Methods / La recherche créative
en relation avec la théorie et les méthodes
d’enseignement / Investigación-creación
relacionada con teorías y pedagogía teatral
La otredad escénica en cuatro provincias argentinas
by Ana Seoane
Dramaturgismo - soporte conceptual de investigacióncreación
en la puesta en escena de Descripción de un
cuadro de Heiner Müller
by Grimanesa Madeleine Loayza Cabezas
The Crucial Body of Working
by Jacyan Castilho
Evolution of a Pedagogy: Holding Oneself Accountable
by David Hugo
Saber o no-saber, he aquí la cuestión. Reflexiones sobre
práctica artística e investigación universitaria
by Narcisco Telles
Edited by / Sous la direction de / Editado por
Maria S. Horne, Elka Fediuk, Dennis Beck, Dorothée Polanz
Foreword / Avant-propos / Prologo
Vito Minoia
