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Dernières nouvelles


The general theme of the scholarly research presented in this book is framed

by the objectives of our series dedicated to University Theatre, which studies

the wide range of theatre pedagogy, creation, research, and the management

of performance activities, processes, and meetings. It addresses theatre activities,

both student and professional, developed under the umbrella of the

university system. The creative research processes that take place in classrooms,

in student groups, or in professional companies sponsored by these institutions

are guided by university principles and by the knowledge of theatre

practice and study.


Table of Contents / Table des matières / Tabla de contenidos

Part I / Partie I / Parte I

Programs Responding to Change / Comment les

programmes réagissent face aux changements /

Programas respondiendo al cambio

Luigi Rasi et l’École Royale de Déclamation de Florence

(1882-1918). Relations inédites entre théâtre, culture et

institutions académiques

by Leonardo Mancini

Mise-en-scène technique in Moscow Open Student

Theatre’s productions

by Anatoly Safronikhin

Le Théâtre Universitaire Liégeois de 1941 à 1983. Les

premiers jalons de son institutionnalisation

by Alain Chevalier

El teatro en las políticas de cultura. Mirada desde la

universidad mexicana

by Elka Fediuk

Part II / Partie II / Parte II

Creative Research in Relation to Theory and

Teaching Methods / La recherche créative

en relation avec la théorie et les méthodes

d’enseignement / Investigación-creación

relacionada con teorías y pedagogía teatral

La otredad escénica en cuatro provincias argentinas

by Ana Seoane

Dramaturgismo - soporte conceptual de investigacióncreación

en la puesta en escena de Descripción de un

cuadro de Heiner Müller

by Grimanesa Madeleine Loayza Cabezas

The Crucial Body of Working

by Jacyan Castilho

Evolution of a Pedagogy: Holding Oneself Accountable

by David Hugo

Saber o no-saber, he aquí la cuestión. Reflexiones sobre

práctica artística e investigación universitaria

by Narcisco Telles

Edited by / Sous la direction de / Editado por

Maria S. Horne, Elka Fediuk, Dennis Beck, Dorothée Polanz

Foreword / Avant-propos / Prologo

Vito Minoia

We collectively condemn the Russian invasion of Ukraine and the ongoing unprovoked aggression against the Ukrainian people.

We send a message of support and solidarity to our friends and colleagues working in theatre and universities in the Ukraine, Russia, Belarus and elsewhere who have been impacted by these events, or who are suffering due to their speaking out against these events.

We pledge to work pro-actively with Ukrainian theatre groups and those undertaking university theatre activities by reaching out to them and seeking communication and collaboration in the spirit of advocacy and encouragement.

Greetings from the Cultural Center of the Philippines!

It is with great joy that we bring you good news about the reopening and scheduled live theater performances of the Cultural Center of the Philippines. Keeping up with the new normal, we are kicking off with the VIRGIN LABFEST, an annual festival of untried, untested, and unstaged works.

When the pandemic started in 2020, VLF has continued and shifted online. In 2021, it presented archival content and focused on its educational component. This year 2022, while COVID has eased our situation and most of the performing art companies are going back live to theater, VLF17, after two years will be presented live on its debut stage – the CCP Tanghalang Huseng Batute on June 16 to 26, and to be streamed online on June 30 to July 10, 2022.

Now on its 17th season, the prestigious and well-loved Virgin Labfest has been known for supporting the development of plays and educating and mentoring young playwrights.

Hoping you can join us!

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